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March 9, 2025
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FREEUS History PP&T CurioFree1 CQ
Gangway! This Civil War battle didn’t take place on horseback, but on ships. While naval battles usually come to mind in relation to the World Wars, they were also part of the Revolutionary War and the American Civil War. In fact, the Battle of Hampton Roads, which ended on this day in 1862, was the first American battle involving ironclad warships.
Just a few days after the breakout of the Civil War on April 12, 1861, President Lincoln ordered a blockade of all major ports in states that had seceded from the Union, including those around Norfolk, Virginia. While in charge of maintaining the blockade at the Gosport Navy Yard in Portsmouth, Virginia, Union leaders got word that a large Confederate force was on its way to claim control of the area. The Union thus burned parts of the naval yard and several of their own warships to prevent them from falling into Confederate hands. Among them was the USS Merrimack, a type of steam-powered warship known as a steam frigate. The ship was also a screw frigate, as it was powered by screw propellers, making it quite agile for its time. When the ship was set ablaze, it only burned to the waterline. The bottom half of the Merrimack, which included its intact steam engines, sank beneath the surface of the Norfolk Navy Yard. Union troops in the area then retreated, and the Confederacy took over the area.
The Confederacy now controlled the south side of an area called Hampton Roads. This was a roadstead, or place where boats could be safely anchored, positioned in an area where the Elizabeth, Nansemond, and James rivers met before flowing into Chesapeake Bay. Determined to destroy the Union blockade that had cut them off from trade, the Confederates began pulling up remnants of recently-burned Union ships, including the Merrimack. Since the blockade included some of the Union’s most powerful ships, the Confederacy rebuilt the Merrimack as an ironclad warship, fitting an iron ram onto her prow and rebuilding her formerly wooden upper-deck with an iron-covered citadel that could mount ten guns. This new ship was named the CSS Virginia.
Word of the CSS Virginia caused something of a panic amongst Union officers, and they quickly got permission from Congress to begin construction of their own ironclad warship. The vessel was the brainchild of Swedish engineer John Ericsson, and included novel elements like a rotating turret with two large guns, rather than many small ones. They named their ship the USS Monitor.
The Battle of Hampton Roads began on the morning of March 8, 1862, when the CSS Virginia made a run for the Union’s blockade. Although several Union ships fired on the advancing Virginia, most of their gunfire bounced off her armor. The Virginia quickly rammed and sank the Cumberland, one of the five main ships in the blockade, though doing so broke off Virginia’s iron ram. Virginia then forced the surrender of another Union ship, the Congress, before firing upon it with red hot cannonballs, lighting it on fire. Already, more than 200 Union troops had been killed while the Virginia had only lost two crewmen. As night fell and visibility waned, the ship retreated to wait for daylight.
The Union quickly dispatched the Monitor to meet Virginia the next day. When the Confederates headed for the Minnesota, a grounded Union ship, Monitor rushed in to block her path. The two ironclads fired at one another, and continued to do so for most of the day, each finding it difficult to pierce the other’s armor. At one point, Virginia ran aground, but was able to get back into water just in time to avoid being destroyed. At another point, Monitor’s captain, Lieutenant John L. Worden, was temporarily blinded when his ship’s pilot house was hit with a charge. Monitor was thus forced to retreat, but neither it nor Virginia were damaged enough to render them physically incapable of fighting, so the battle ended inconclusively. Both sides claimed victory, but with the Union blockade still intact, the Confederacy hadn’t gained much ground. Eventually, the Confederacy was forced to destroy their own ship when they abandoned Norfolk, to prevent Virginia from falling into enemy hands. The Monitor sank in late 1862 when she encountered high waves while attempting to make her way to North Carolina. A pretty unimpressive end for such inventive ships.
[Image description: A painting depicting the Battle of Hampton Roads. Soldiers on horses look down a hill over a naval battle with ships on fire.] Credit & copyright: Kurz & Allison Art Publishers, 1889. Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. Public Domain.Gangway! This Civil War battle didn’t take place on horseback, but on ships. While naval battles usually come to mind in relation to the World Wars, they were also part of the Revolutionary War and the American Civil War. In fact, the Battle of Hampton Roads, which ended on this day in 1862, was the first American battle involving ironclad warships.
Just a few days after the breakout of the Civil War on April 12, 1861, President Lincoln ordered a blockade of all major ports in states that had seceded from the Union, including those around Norfolk, Virginia. While in charge of maintaining the blockade at the Gosport Navy Yard in Portsmouth, Virginia, Union leaders got word that a large Confederate force was on its way to claim control of the area. The Union thus burned parts of the naval yard and several of their own warships to prevent them from falling into Confederate hands. Among them was the USS Merrimack, a type of steam-powered warship known as a steam frigate. The ship was also a screw frigate, as it was powered by screw propellers, making it quite agile for its time. When the ship was set ablaze, it only burned to the waterline. The bottom half of the Merrimack, which included its intact steam engines, sank beneath the surface of the Norfolk Navy Yard. Union troops in the area then retreated, and the Confederacy took over the area.
The Confederacy now controlled the south side of an area called Hampton Roads. This was a roadstead, or place where boats could be safely anchored, positioned in an area where the Elizabeth, Nansemond, and James rivers met before flowing into Chesapeake Bay. Determined to destroy the Union blockade that had cut them off from trade, the Confederates began pulling up remnants of recently-burned Union ships, including the Merrimack. Since the blockade included some of the Union’s most powerful ships, the Confederacy rebuilt the Merrimack as an ironclad warship, fitting an iron ram onto her prow and rebuilding her formerly wooden upper-deck with an iron-covered citadel that could mount ten guns. This new ship was named the CSS Virginia.
Word of the CSS Virginia caused something of a panic amongst Union officers, and they quickly got permission from Congress to begin construction of their own ironclad warship. The vessel was the brainchild of Swedish engineer John Ericsson, and included novel elements like a rotating turret with two large guns, rather than many small ones. They named their ship the USS Monitor.
The Battle of Hampton Roads began on the morning of March 8, 1862, when the CSS Virginia made a run for the Union’s blockade. Although several Union ships fired on the advancing Virginia, most of their gunfire bounced off her armor. The Virginia quickly rammed and sank the Cumberland, one of the five main ships in the blockade, though doing so broke off Virginia’s iron ram. Virginia then forced the surrender of another Union ship, the Congress, before firing upon it with red hot cannonballs, lighting it on fire. Already, more than 200 Union troops had been killed while the Virginia had only lost two crewmen. As night fell and visibility waned, the ship retreated to wait for daylight.
The Union quickly dispatched the Monitor to meet Virginia the next day. When the Confederates headed for the Minnesota, a grounded Union ship, Monitor rushed in to block her path. The two ironclads fired at one another, and continued to do so for most of the day, each finding it difficult to pierce the other’s armor. At one point, Virginia ran aground, but was able to get back into water just in time to avoid being destroyed. At another point, Monitor’s captain, Lieutenant John L. Worden, was temporarily blinded when his ship’s pilot house was hit with a charge. Monitor was thus forced to retreat, but neither it nor Virginia were damaged enough to render them physically incapable of fighting, so the battle ended inconclusively. Both sides claimed victory, but with the Union blockade still intact, the Confederacy hadn’t gained much ground. Eventually, the Confederacy was forced to destroy their own ship when they abandoned Norfolk, to prevent Virginia from falling into enemy hands. The Monitor sank in late 1862 when she encountered high waves while attempting to make her way to North Carolina. A pretty unimpressive end for such inventive ships.
[Image description: A painting depicting the Battle of Hampton Roads. Soldiers on horses look down a hill over a naval battle with ships on fire.] Credit & copyright: Kurz & Allison Art Publishers, 1889. Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA. Public Domain. -
7 minFREEWork Business CurioFree4 CQ
Hundreds of billions of dollars have flowed into cryptocurrency markets in the past 24 hours or so after President Donald Trump named five digital tokens to ...
Hundreds of billions of dollars have flowed into cryptocurrency markets in the past 24 hours or so after President Donald Trump named five digital tokens to ...
March 8, 2025
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6 minFREEWork Business CurioFree4 CQ
It’s the mother of all economic numbers: GDP, or gross domestic product. But U.S. Commerce Secretary Howard Lutnick says he wants to take government spending...
It’s the mother of all economic numbers: GDP, or gross domestic product. But U.S. Commerce Secretary Howard Lutnick says he wants to take government spending...
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FREESports Sporty CurioFree1 CQ
Just keep jumping….and jumping…and jumping! That seems to be the motto of Swedish pole-vaulter Armand Duplantis, who recently broke his 11th world record. Duplantis first broke the men’s pole vaulting world record in February, 2020, when he jumped 6.17 meters (20.24 feet)—one centimeter higher than the previous record, which was set in 2014. After that, Duplantis broke the record by one centimeter ten more times, most recently at the All Star Pole Vault in Clermont-Ferrand, France on February 28. His newest jump was an astonishing 6.27 meters (20.57 feet). Duplantis is also a two-time Olympic gold medalist, but that’s not his most unusual achievement. This pole-vaulter is in the midst of launching a music career. In fact, his debut single, Bop, a Latin-inspired pop song, released on the same day of his latest jump. It was played in the stadium as he broke the world record for the 11th time. Talk about multi-talented!
Just keep jumping….and jumping…and jumping! That seems to be the motto of Swedish pole-vaulter Armand Duplantis, who recently broke his 11th world record. Duplantis first broke the men’s pole vaulting world record in February, 2020, when he jumped 6.17 meters (20.24 feet)—one centimeter higher than the previous record, which was set in 2014. After that, Duplantis broke the record by one centimeter ten more times, most recently at the All Star Pole Vault in Clermont-Ferrand, France on February 28. His newest jump was an astonishing 6.27 meters (20.57 feet). Duplantis is also a two-time Olympic gold medalist, but that’s not his most unusual achievement. This pole-vaulter is in the midst of launching a music career. In fact, his debut single, Bop, a Latin-inspired pop song, released on the same day of his latest jump. It was played in the stadium as he broke the world record for the 11th time. Talk about multi-talented!
March 7, 2025
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FREEMind + Body Daily CurioFree1 CQ
Let’s have an entire tray of these crispy confections, s'il vous plaît! Macarons are some of the best-known cookies in the world, and they come in so many bright colors that it’s no wonder they’re native to the fashion capital of the world: Paris, France. Or are they? Although macarons are famous symbols of France that were undoubtedly popularized in Paris, they might not have actually been invented there.
Macarons shouldn’t be confused with macaroons, which are drop cookies made from a paste of shredded coconut. Macarons are sandwich cookies made from a unique list of ingredients. Instead of being made from dough, like most cookies, macaron’s outer shells are made from almond flour, eggs, and powdered sugar that’s been whipped into a crispy meringue. The chewy filling is traditionally made from buttercream, which itself is made by beating butter and sugar together. All sorts of fillings are used in modern macarons, though, including jams, lemon curd, or chocolate ganache. Food coloring is used to give macarons their color, which means that they can come in just about any shade, and they’re often made purposefully bright to draw attention in window displays.
Macarons likely owe their invention to the long history of almond-based confections, like marzipan, and meringue-based desserts that have been popular in both Europe and the Middle East for centuries. Some believe that an early version of the macaroon was invented in the Middle East and brought to Europe by traders. Others say the cookies were invented in al-Andalus, an area that is now part of Spain, in the early 11th century, then brought to Morocco, where they were eaten during Ramadan. Still others claim that they were invented in Italy and brought to France by an Italian chef, though there are no written records of this. An early version of macarons, which were made from meringue but were not sandwich cookies, were sold in Nancy, France, in the 1790s. The sellers were two nuns who had sought asylum there during the French Revolution, though it’s unclear where their recipe came from. The cookies were so popular in Nancy that the nuns were nicknamed the “Macaron Sisters.”
While we’ll never know for certain where early macarons were first made, the type of macarons we know and love today undoubtedly come from Paris. Just which Parisian chef invented it is a topic of some debate, however. Some claim that Pierre Desfontaines, a pastry chef at Paris’s famous Ladurée pâtisserie, created the macaron sandwich cookie in the 1930s to match the colorful decor that the pâtisserie was famous for. Around the same time, another chef, Claude Gerbet, was also making macarons at his own Parisian bakery. Some believe that Gerbert invented modern macarons, since the cookies were known in Paris, for a time, as “Gerberts.” What we know for sure is that macarons quickly became an extremely popular, fast-selling snack at pâtisseries and coffeeshops throughout the city, and by the mid-1940s they were heavily associated with France, as they continue to be today. Delicate, colorful, and sweet? Très magnifique!
[Image description: A plate of light purple macarons with a matching teacup and tablecloth.] Credit & copyright: Jill Wellington, PexelsLet’s have an entire tray of these crispy confections, s'il vous plaît! Macarons are some of the best-known cookies in the world, and they come in so many bright colors that it’s no wonder they’re native to the fashion capital of the world: Paris, France. Or are they? Although macarons are famous symbols of France that were undoubtedly popularized in Paris, they might not have actually been invented there.
Macarons shouldn’t be confused with macaroons, which are drop cookies made from a paste of shredded coconut. Macarons are sandwich cookies made from a unique list of ingredients. Instead of being made from dough, like most cookies, macaron’s outer shells are made from almond flour, eggs, and powdered sugar that’s been whipped into a crispy meringue. The chewy filling is traditionally made from buttercream, which itself is made by beating butter and sugar together. All sorts of fillings are used in modern macarons, though, including jams, lemon curd, or chocolate ganache. Food coloring is used to give macarons their color, which means that they can come in just about any shade, and they’re often made purposefully bright to draw attention in window displays.
Macarons likely owe their invention to the long history of almond-based confections, like marzipan, and meringue-based desserts that have been popular in both Europe and the Middle East for centuries. Some believe that an early version of the macaroon was invented in the Middle East and brought to Europe by traders. Others say the cookies were invented in al-Andalus, an area that is now part of Spain, in the early 11th century, then brought to Morocco, where they were eaten during Ramadan. Still others claim that they were invented in Italy and brought to France by an Italian chef, though there are no written records of this. An early version of macarons, which were made from meringue but were not sandwich cookies, were sold in Nancy, France, in the 1790s. The sellers were two nuns who had sought asylum there during the French Revolution, though it’s unclear where their recipe came from. The cookies were so popular in Nancy that the nuns were nicknamed the “Macaron Sisters.”
While we’ll never know for certain where early macarons were first made, the type of macarons we know and love today undoubtedly come from Paris. Just which Parisian chef invented it is a topic of some debate, however. Some claim that Pierre Desfontaines, a pastry chef at Paris’s famous Ladurée pâtisserie, created the macaron sandwich cookie in the 1930s to match the colorful decor that the pâtisserie was famous for. Around the same time, another chef, Claude Gerbet, was also making macarons at his own Parisian bakery. Some believe that Gerbert invented modern macarons, since the cookies were known in Paris, for a time, as “Gerberts.” What we know for sure is that macarons quickly became an extremely popular, fast-selling snack at pâtisseries and coffeeshops throughout the city, and by the mid-1940s they were heavily associated with France, as they continue to be today. Delicate, colorful, and sweet? Très magnifique!
[Image description: A plate of light purple macarons with a matching teacup and tablecloth.] Credit & copyright: Jill Wellington, Pexels
March 6, 2025
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FREEPhysics Nerdy CurioFree1 CQ
It seems that time can be reflected—but don’t worry, you won’t have to re-live any embarrassing teenage moments! Some reflections are fairly easy to understand: when lightwaves bounce off of a reflective surface, like glass, or soundwaves bounce off a non-absorbent surface, like a concrete wall, we see a reflection or hear an echo. Since the 1970s, however, scientists have theorized that there is another, stranger way for waves like sound or light to be reflected, in which they actually move backwards in time. Now, researchers have finally managed to recreate the phenomenon, known as a time reflection, in a lab. Time reflections happen when a wave, such as a soundwave, becomes stretched and changes frequency while, at the same time, the medium through which the wave is traveling also abruptly changes course. If you’ve ever heard a police siren seemingly change frequency as it whizzes by, then you’re familiar with at least the first part of this phenomenon. But imagine if you counted from one to ten out loud, and then both the frequency of the soundwave you created and the structure of the air it was traveling through changed all at once. One end of the soundwave might “curl” back at you, so that you would hear yourself counting backwards, from ten to one, in a much higher pitch than you originally spoke. This is a time reflection.
Until now, researchers assumed that it would take too much energy to recreate a time reflection in a lab, since they’d have to suddenly and drastically change whatever material their experimental waves were traveling through. They were able to solve the problem by creating a special material specifically designed to interact with electromagnetic radiation, so that its structure could be changed very quickly. They then sent different lightwaves through the material via a metal strip wired with switches. When the switches were triggered, the frequencies of the lightwaves changed, altering the material itself at the same time by changing its impedance, or opposition to electrical flow. This caused some of the lightwaves to reflect back in an altered way, thus proving that time reflections exist and can, to some degree, be controlled. It’s probably too early to get excited for mass-produced time machines, though.[Image description: A small round mirror sits outside in the snow, reflecting back snowflakes and green vegetation.] Credit & copyright: Lisa from Pexels, Pexels.
It seems that time can be reflected—but don’t worry, you won’t have to re-live any embarrassing teenage moments! Some reflections are fairly easy to understand: when lightwaves bounce off of a reflective surface, like glass, or soundwaves bounce off a non-absorbent surface, like a concrete wall, we see a reflection or hear an echo. Since the 1970s, however, scientists have theorized that there is another, stranger way for waves like sound or light to be reflected, in which they actually move backwards in time. Now, researchers have finally managed to recreate the phenomenon, known as a time reflection, in a lab. Time reflections happen when a wave, such as a soundwave, becomes stretched and changes frequency while, at the same time, the medium through which the wave is traveling also abruptly changes course. If you’ve ever heard a police siren seemingly change frequency as it whizzes by, then you’re familiar with at least the first part of this phenomenon. But imagine if you counted from one to ten out loud, and then both the frequency of the soundwave you created and the structure of the air it was traveling through changed all at once. One end of the soundwave might “curl” back at you, so that you would hear yourself counting backwards, from ten to one, in a much higher pitch than you originally spoke. This is a time reflection.
Until now, researchers assumed that it would take too much energy to recreate a time reflection in a lab, since they’d have to suddenly and drastically change whatever material their experimental waves were traveling through. They were able to solve the problem by creating a special material specifically designed to interact with electromagnetic radiation, so that its structure could be changed very quickly. They then sent different lightwaves through the material via a metal strip wired with switches. When the switches were triggered, the frequencies of the lightwaves changed, altering the material itself at the same time by changing its impedance, or opposition to electrical flow. This caused some of the lightwaves to reflect back in an altered way, thus proving that time reflections exist and can, to some degree, be controlled. It’s probably too early to get excited for mass-produced time machines, though.[Image description: A small round mirror sits outside in the snow, reflecting back snowflakes and green vegetation.] Credit & copyright: Lisa from Pexels, Pexels.
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FREEPhysics Daily Curio #3042Free1 CQ
Here’s some hot news that’s worth reflecting on: volcanic eruptions can turn human brains into glass. In the 1960s, archaeologists unearthed many artifacts and preserved human bodies from the ancient Roman city of Pompeii and the town of Herculaneum, both of which were destroyed by the eruption of Mount Vesuvius in 79 C.E. The bodies from these sites are famous for being incredibly well-preserved by layers of volcanic ash, showing the exact poses and sometimes even expressions of the volcano’s victims in their dying moments. In 2018, however, one researcher discovered something even more interesting about one particular body, which had belonged to a 20-year-old man killed in the eruption. Italian anthropologist Pier Paolo noticed that there were shiny areas inside the body’s skull, and upon further investigation discovered that part of the victim’s brain and spine had turned into glass. Now, scientists believe they’ve uncovered the process behind this extremely rare phenomenon.
Glass does sometimes form in nature without human intervention, but the process, known as vitrification, requires extreme conditions. It can happen when lightning strikes sand, rapidly heating the grains to over 50,000° Fahrenheit, which is hotter than the surface of the sun. As soon as the lightning is done striking, the sand can rapidly cool, forming tubes or crusts of glass known as fulgurites. Glass can form after volcanic eruptions too. Obsidian is known as volcanic glass because it’s created when lava rapidly cools. However, 2018 was the first time that a vitrified human organ had ever been discovered. Researchers now believe that they know how it happened. First, a superheated ash cloud from the eruption of Vesuvius swept through Herculaneum, instantly killing those in its wake with temperatures of around 1,000 degrees Fahrenheit. Instead of incinerating victims’ bodies, the cloud left them covered in layers of ash. The cloud then dissipated quickly, allowing the bodies to cool. The brain in question was somewhat protected by the skull surrounding it, allowing it to cool rapidly and form into glass rather than being completely destroyed. It seems this ancient, cranial mystery is no longer a head-scratcher.
[Image description: A gray model of a human brain against a black background.] Credit & copyright: KATRIN BOLOVTSOVA, PexelsHere’s some hot news that’s worth reflecting on: volcanic eruptions can turn human brains into glass. In the 1960s, archaeologists unearthed many artifacts and preserved human bodies from the ancient Roman city of Pompeii and the town of Herculaneum, both of which were destroyed by the eruption of Mount Vesuvius in 79 C.E. The bodies from these sites are famous for being incredibly well-preserved by layers of volcanic ash, showing the exact poses and sometimes even expressions of the volcano’s victims in their dying moments. In 2018, however, one researcher discovered something even more interesting about one particular body, which had belonged to a 20-year-old man killed in the eruption. Italian anthropologist Pier Paolo noticed that there were shiny areas inside the body’s skull, and upon further investigation discovered that part of the victim’s brain and spine had turned into glass. Now, scientists believe they’ve uncovered the process behind this extremely rare phenomenon.
Glass does sometimes form in nature without human intervention, but the process, known as vitrification, requires extreme conditions. It can happen when lightning strikes sand, rapidly heating the grains to over 50,000° Fahrenheit, which is hotter than the surface of the sun. As soon as the lightning is done striking, the sand can rapidly cool, forming tubes or crusts of glass known as fulgurites. Glass can form after volcanic eruptions too. Obsidian is known as volcanic glass because it’s created when lava rapidly cools. However, 2018 was the first time that a vitrified human organ had ever been discovered. Researchers now believe that they know how it happened. First, a superheated ash cloud from the eruption of Vesuvius swept through Herculaneum, instantly killing those in its wake with temperatures of around 1,000 degrees Fahrenheit. Instead of incinerating victims’ bodies, the cloud left them covered in layers of ash. The cloud then dissipated quickly, allowing the bodies to cool. The brain in question was somewhat protected by the skull surrounding it, allowing it to cool rapidly and form into glass rather than being completely destroyed. It seems this ancient, cranial mystery is no longer a head-scratcher.
[Image description: A gray model of a human brain against a black background.] Credit & copyright: KATRIN BOLOVTSOVA, Pexels
March 5, 2025
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FREEBiology Nerdy CurioFree1 CQ
That mama mollyhawk could use a bit of mollycoddling; after all, she’s 74 years old! Albatrosses, also known as mollyhawks, are amazing seabirds. Known for their human-like facial expressions, long lifespans, and loyalty to their mates, they’ve appeared in all sorts of human media, from Disney movies to 18th century poetry. Now, an albatross named Wisdom is making headlines for becoming a mother at age 74. She’s also the world’s oldest known wild bird.
There are 22 species of albatross, which live in different parts of the Southern hemisphere and North Pacific. Since Wisdom is a Laysan albatross and one of the world’s most famous birds, her species is likewise the most famous. Laysan albatrosses are some of the world’s largest flying birds, weighing up to 5.6 pounds with wingspans of up to 80 inches. They spend most of their lives on the open waters of the North Pacific, where they can fly without landing for weeks at a time. When not flying, they float on the water’s surface like ducks and plunge their heads underwater to grab prey swimming near the surface, such as crabs, fish eggs, and squid.
Once a Laysan albatross is around three to five years old, it will return to land during breeding season, from November to July, to look for a mate. Breeding colonies of Laysan albatrosses can be found on many islands in the Hawaiian archipelago as well as small islands off of Japan and Mexico. Mating is serious business for albatrosses, since they return to the same partner year after year. When a male albatross finds a female that he fancies, he initiates a courtship dance that includes shuffling feet, head-bobbing, and raised wings. If the female dances back and synchronizes her movements to his, then the two mate. This doesn’t mean that the pair will successfully breed, though. Female albatrosses usually only lay one egg per successful season, and they often skip laying an egg every other year.
Of the 22 species of albatross, seven are endangered while two are critically endangered. Many albatrosses are killed by waste from the fishing industry, choking on hooks and bobbers or getting tangled in nets. Invasive species like cats sometimes kill adult albatrosses, while invasive rats can eat their eggs. Habitat loss is also a concern as human development encroaches on areas where the birds breed. Albatrosses’ slow reproductive cycles make population recovery difficult. Since they won’t breed in captivity, scientists have set out to help these seabirds in other ways. Some programs have installed artificial nests, which are more resilient to climate change than natural nests, in albatross breeding locations. Others have taken wild albatross chicks and raised them in captivity to give them a better chance of survival. Hopefully more albatrosses are able to follow in Wisdom’s footsteps in the coming years.
[Image description: A white-and-gray Albatross with a red band on one leg grooms her chick, which is fluffy and dark brown.] Credit & copyright: U.S. Fish and Wildlife Service. Item ID: 55467033734e97399d40b. Public Domain.That mama mollyhawk could use a bit of mollycoddling; after all, she’s 74 years old! Albatrosses, also known as mollyhawks, are amazing seabirds. Known for their human-like facial expressions, long lifespans, and loyalty to their mates, they’ve appeared in all sorts of human media, from Disney movies to 18th century poetry. Now, an albatross named Wisdom is making headlines for becoming a mother at age 74. She’s also the world’s oldest known wild bird.
There are 22 species of albatross, which live in different parts of the Southern hemisphere and North Pacific. Since Wisdom is a Laysan albatross and one of the world’s most famous birds, her species is likewise the most famous. Laysan albatrosses are some of the world’s largest flying birds, weighing up to 5.6 pounds with wingspans of up to 80 inches. They spend most of their lives on the open waters of the North Pacific, where they can fly without landing for weeks at a time. When not flying, they float on the water’s surface like ducks and plunge their heads underwater to grab prey swimming near the surface, such as crabs, fish eggs, and squid.
Once a Laysan albatross is around three to five years old, it will return to land during breeding season, from November to July, to look for a mate. Breeding colonies of Laysan albatrosses can be found on many islands in the Hawaiian archipelago as well as small islands off of Japan and Mexico. Mating is serious business for albatrosses, since they return to the same partner year after year. When a male albatross finds a female that he fancies, he initiates a courtship dance that includes shuffling feet, head-bobbing, and raised wings. If the female dances back and synchronizes her movements to his, then the two mate. This doesn’t mean that the pair will successfully breed, though. Female albatrosses usually only lay one egg per successful season, and they often skip laying an egg every other year.
Of the 22 species of albatross, seven are endangered while two are critically endangered. Many albatrosses are killed by waste from the fishing industry, choking on hooks and bobbers or getting tangled in nets. Invasive species like cats sometimes kill adult albatrosses, while invasive rats can eat their eggs. Habitat loss is also a concern as human development encroaches on areas where the birds breed. Albatrosses’ slow reproductive cycles make population recovery difficult. Since they won’t breed in captivity, scientists have set out to help these seabirds in other ways. Some programs have installed artificial nests, which are more resilient to climate change than natural nests, in albatross breeding locations. Others have taken wild albatross chicks and raised them in captivity to give them a better chance of survival. Hopefully more albatrosses are able to follow in Wisdom’s footsteps in the coming years.
[Image description: A white-and-gray Albatross with a red band on one leg grooms her chick, which is fluffy and dark brown.] Credit & copyright: U.S. Fish and Wildlife Service. Item ID: 55467033734e97399d40b. Public Domain. -
FREEUS History Daily Curio #3041Free1 CQ
There were no shots fired, but it still kicked things off! The Battles of Lexington and Concord on April 19, 1775, are generally thought of as the first conflicts of the Revolutionary War. Yet, there was another skirmish, of sorts, between British troops and American colonists that took place months before these famous battles, and those who were present for it considered it to be the true start of the war. Today, the standoff is known as Leslie’s Retreat.
On February 26, 1775, British Lieutenant Colonel Alexander Leslie led a regiment of British soldiers from Boston to Salem, Massachusetts. He had received word that a colonial militia had formed there, and that they had been stockpiling weapons, including cannons. Leslie was confident that he could seize any such weapons, with an entire regiment at his command. Thomas Gage, Commander in Chief of the British forces in North America, had ordered Leslie to conduct the raid on a Sunday, since he believed that the townspeople would be in church and thus caught off guard. Little did he know that Militia member Major John Pedrick had seen Leslie’s troops marching toward Salem, and had rushed ahead to warn the town. The Salemites had, indeed, been gathered at church, which only made it easier for Pedrick to pass on his news and for the townsfolk to mobilize.
As he approached the bridge leading into Salem, Leslie found more than he bargained for. Militia members and unarmed townsfolk alike turned out in great numbers to block the streets and stop him from advancing. Fearing the breakout of a violent battle, Leslie didn’t dare fire on the town. Instead, he was forced into a tense negotiation. According to Charles Moses Endicott, Salem’s unofficial historian who recorded a detailed account of the conflict, Leslie told the townspeople, “I am determined to pass over this bridge before I return to Boston, if I remain here until next autumn.” However, after nearly two hours, Leslie was forced to strike a deal with the townsfolk. He and his troops were allowed to cross the bridge, ride no more than 275 yards into town, then leave without harming anyone. While he endured a humiliating march back to Boston, Endicott wrote that the standoff represented “the first blow” in their war for independence. It seems that Salem’s hidden cannons really got the cannonball rolling.
[Image description: A black-and-white illustration depicting the Battle of Lexington in the Revolutionary War. Opposing soldiers struggle in a field with tall trees in the distance. Some soldiers fire down from a rocky ridge.] Credit & copyright: The Metropolitan Museum of Art, Battle of Lexington, April 19, 1775, Designed and engraved by John Baker (American, active 1830–40). Bequest of Charles Allen Munn, 1924.There were no shots fired, but it still kicked things off! The Battles of Lexington and Concord on April 19, 1775, are generally thought of as the first conflicts of the Revolutionary War. Yet, there was another skirmish, of sorts, between British troops and American colonists that took place months before these famous battles, and those who were present for it considered it to be the true start of the war. Today, the standoff is known as Leslie’s Retreat.
On February 26, 1775, British Lieutenant Colonel Alexander Leslie led a regiment of British soldiers from Boston to Salem, Massachusetts. He had received word that a colonial militia had formed there, and that they had been stockpiling weapons, including cannons. Leslie was confident that he could seize any such weapons, with an entire regiment at his command. Thomas Gage, Commander in Chief of the British forces in North America, had ordered Leslie to conduct the raid on a Sunday, since he believed that the townspeople would be in church and thus caught off guard. Little did he know that Militia member Major John Pedrick had seen Leslie’s troops marching toward Salem, and had rushed ahead to warn the town. The Salemites had, indeed, been gathered at church, which only made it easier for Pedrick to pass on his news and for the townsfolk to mobilize.
As he approached the bridge leading into Salem, Leslie found more than he bargained for. Militia members and unarmed townsfolk alike turned out in great numbers to block the streets and stop him from advancing. Fearing the breakout of a violent battle, Leslie didn’t dare fire on the town. Instead, he was forced into a tense negotiation. According to Charles Moses Endicott, Salem’s unofficial historian who recorded a detailed account of the conflict, Leslie told the townspeople, “I am determined to pass over this bridge before I return to Boston, if I remain here until next autumn.” However, after nearly two hours, Leslie was forced to strike a deal with the townsfolk. He and his troops were allowed to cross the bridge, ride no more than 275 yards into town, then leave without harming anyone. While he endured a humiliating march back to Boston, Endicott wrote that the standoff represented “the first blow” in their war for independence. It seems that Salem’s hidden cannons really got the cannonball rolling.
[Image description: A black-and-white illustration depicting the Battle of Lexington in the Revolutionary War. Opposing soldiers struggle in a field with tall trees in the distance. Some soldiers fire down from a rocky ridge.] Credit & copyright: The Metropolitan Museum of Art, Battle of Lexington, April 19, 1775, Designed and engraved by John Baker (American, active 1830–40). Bequest of Charles Allen Munn, 1924.
March 4, 2025
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FREEMusic Appreciation Song CurioFree2 CQ
Today, we’re paying tribute to one of the greatest artists in the history of Soul music. Born on this day in 1944, Bobby Womack enjoyed a monumentally influential, six-decade-long career before passing away in 2014. His impassioned style helped define the emerging genres of soul and R&B in the 1960s, and made him one of their leading voices in the 1970s and 80s. One of the best examples of his technique is 1972’s Woman’s Gotta Have It. The song’s slow, sensual baseline is emphasized by Womack’s spoken-word introduction, in which he tells men that he has some advice for them. The song itself, in which Womack tenderly implores men to remember women' s emotional needs while that same groovy baseline plays, along with a soft drumbeat and funky guitars, serves as the promised advice. The song reached number one on the R&B chart, and quickly became a staple of the genre. It’s since been covered many times by artists like James Taylor and Wendy Mathews. After all, you can never have too much good advice.
Today, we’re paying tribute to one of the greatest artists in the history of Soul music. Born on this day in 1944, Bobby Womack enjoyed a monumentally influential, six-decade-long career before passing away in 2014. His impassioned style helped define the emerging genres of soul and R&B in the 1960s, and made him one of their leading voices in the 1970s and 80s. One of the best examples of his technique is 1972’s Woman’s Gotta Have It. The song’s slow, sensual baseline is emphasized by Womack’s spoken-word introduction, in which he tells men that he has some advice for them. The song itself, in which Womack tenderly implores men to remember women' s emotional needs while that same groovy baseline plays, along with a soft drumbeat and funky guitars, serves as the promised advice. The song reached number one on the R&B chart, and quickly became a staple of the genre. It’s since been covered many times by artists like James Taylor and Wendy Mathews. After all, you can never have too much good advice.
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FREEScience Daily Curio #3040Free1 CQ
Your living space can never be too clean…right? According to a team of American researchers, it actually can, and their proof lies in the International Space Station (ISS). They found that the space station is far more sterile than most environments on Earth, and that could be a bad thing considering the way that human immune systems function.
Researchers began by collecting more than 800 samples from various areas aboard the ISS. When they compared the samples to ones taken from buildings on Earth, like homes and office buildings, they found that microbial diversity on the space station was severely lacking. On Earth, microbes from soil, water, dust, and other sources keep our immune systems robust by exposing them to different stimuli, allowing them to build immunities to common bacteria and other harmful microscopic matter. But on the ISS, almost all of the bacteria comes from human skin shed by the astronauts who live and work there. Also worrying was the fact that chemicals from cleaning products used on board seemed to have built up, since fresh air and sunlight can’t help break them down over time, as they would on Earth.
Even on our planet’s surface, environments that are too sterile are known to cause health problems. These include immune dysfunction, cold sores, and spontaneous allergic reactions. As with many things in space, there is no obvious, simple solution. Certain bacteria could be purposefully added to the ISS, but as of right now there’s no way to know if that’s safe. After all, bacteria are living things capable of evolving. Just because they behave and adapt a certain way on Earth doesn’t mean they’d do the same thing in space, and unchecked bacterial growth could lead to all sorts of new health problems. For now, space will likely remain a largely microbe-less place. Hey, at least ISS astronauts don’t have to worry about pandemics.
[Image description: A starry sky with some purple visible.] Credit & copyright: Felix Mittermeier, PexelsYour living space can never be too clean…right? According to a team of American researchers, it actually can, and their proof lies in the International Space Station (ISS). They found that the space station is far more sterile than most environments on Earth, and that could be a bad thing considering the way that human immune systems function.
Researchers began by collecting more than 800 samples from various areas aboard the ISS. When they compared the samples to ones taken from buildings on Earth, like homes and office buildings, they found that microbial diversity on the space station was severely lacking. On Earth, microbes from soil, water, dust, and other sources keep our immune systems robust by exposing them to different stimuli, allowing them to build immunities to common bacteria and other harmful microscopic matter. But on the ISS, almost all of the bacteria comes from human skin shed by the astronauts who live and work there. Also worrying was the fact that chemicals from cleaning products used on board seemed to have built up, since fresh air and sunlight can’t help break them down over time, as they would on Earth.
Even on our planet’s surface, environments that are too sterile are known to cause health problems. These include immune dysfunction, cold sores, and spontaneous allergic reactions. As with many things in space, there is no obvious, simple solution. Certain bacteria could be purposefully added to the ISS, but as of right now there’s no way to know if that’s safe. After all, bacteria are living things capable of evolving. Just because they behave and adapt a certain way on Earth doesn’t mean they’d do the same thing in space, and unchecked bacterial growth could lead to all sorts of new health problems. For now, space will likely remain a largely microbe-less place. Hey, at least ISS astronauts don’t have to worry about pandemics.
[Image description: A starry sky with some purple visible.] Credit & copyright: Felix Mittermeier, Pexels
March 3, 2025
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2 minFREEHumanities Word CurioFree2 CQ
Word of the Day
: March 3, 2025\dray-KOH-nee-un\ adjective
What It Means
Draconian describes something (often a law, policy, restriction, etc...
with Merriam-WebsterWord of the Day
: March 3, 2025\dray-KOH-nee-un\ adjective
What It Means
Draconian describes something (often a law, policy, restriction, etc...
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FREEArt Appreciation Art CurioFree1 CQ
Like a tiger hidden in seemingly peaceful grass, looks can be deceiving. From its style alone, one might guess that Tiger in Repose, which portrays a tiger lying on the ground in front of mountains, was painted in Asia. The limited color palette and stylized brushstrokes, as well as the painting’s mountainous setting, evoke the feel of classic Asian paintings. Yet, this painting was created by French artist Antoine-Louis Barye, who based it off of animals he observed at a Parisian zoo. So, was Barye simply a prolific painter who studied the works of Asian artists? Not at all. Barye was actually much more known for his animal sculptures than his paintings, and his greatest tutor (and friend) when it came to artistic endeavors was legendary French romantic painter Eugène Delacroix. The two would often go to the Jardin des Plantes in Paris to sketch the animals kept there. Delacroix would use them as studies for his paintings, and Barye for his sculptures. This time, though, Barye decided to paint one of his own in an unusual style. It seems you can always teach an old cat new tricks.
Tiger in Repose, Antoine-Louis Barye (French, Paris 1795–1875 Paris), ca. 1850–65, oil on canvas, 10.75 × 14 in. (27.3 × 35.6 cm.), The Metropolitan Museum of Art, New York City, New York.
[Image credit & copyright: Antoine-Louis Barye, The Metropolitan Museum of Art, Gift of Eugene V. Thaw, 2015. Public Domain.]Like a tiger hidden in seemingly peaceful grass, looks can be deceiving. From its style alone, one might guess that Tiger in Repose, which portrays a tiger lying on the ground in front of mountains, was painted in Asia. The limited color palette and stylized brushstrokes, as well as the painting’s mountainous setting, evoke the feel of classic Asian paintings. Yet, this painting was created by French artist Antoine-Louis Barye, who based it off of animals he observed at a Parisian zoo. So, was Barye simply a prolific painter who studied the works of Asian artists? Not at all. Barye was actually much more known for his animal sculptures than his paintings, and his greatest tutor (and friend) when it came to artistic endeavors was legendary French romantic painter Eugène Delacroix. The two would often go to the Jardin des Plantes in Paris to sketch the animals kept there. Delacroix would use them as studies for his paintings, and Barye for his sculptures. This time, though, Barye decided to paint one of his own in an unusual style. It seems you can always teach an old cat new tricks.
Tiger in Repose, Antoine-Louis Barye (French, Paris 1795–1875 Paris), ca. 1850–65, oil on canvas, 10.75 × 14 in. (27.3 × 35.6 cm.), The Metropolitan Museum of Art, New York City, New York.
[Image credit & copyright: Antoine-Louis Barye, The Metropolitan Museum of Art, Gift of Eugene V. Thaw, 2015. Public Domain.] -
FREEWorld History Daily Curio #3039Free1 CQ
They’ve been all around the world, but now they’re heading home. The Netherlands recently announced that they’ll be sending more than 100 bronze sculptures, known as Benin bronzes, back to their original home in Nigeria. The statues were looted from Nigeria’s Benin City in the late 19th century, but in recent years a number of countries and individual museums have pledged to return them to their country of origin.
In 1897, Benin wasn’t yet part of Nigeria. It was a kingdom unto itself known as the Edo Kingdom of Benin, and though it enjoyed a good trade relationship with some other nations, it wasn’t willing to establish such relations with the British. At the time, the British were attempting to exert more control over African trade routes, which the Kingdom of Benin didn’t appreciate. When Britain sent Niger Coast Protectorate official James Robert Phillips to Benin City in January 1897 to pressure the Kingdom into a trade deal, he and his men were attacked and killed. In retaliation, the British launched a full-scale siege on the city the following month, burning the royal palace, exiling the Kingdom’s leader, or Oba, and seizing control of the area for themselves. In the process, countless artistic and historical treasures were stolen and sold off to European museums and private collectors. The British eventually colonized the former Kingdom of Benin and incorporated it into Nigeria.
Among the artifacts stolen from Benin were a group of sculptures collectively known as the Benin bronzes. Most of these bronze sculptures are small enough to be carried by one person, which made them easier to steal. Some are ceremonial objects from religious ceremonies, but most depict people and animals. Busts of former Obas, statues of men holding weapons, and sculptures of big cats are plentiful among Benin bronzes. According to the AFP news agency, Eppo Bruins, Dutch Minister of Culture, Education, and Science recently explained, “With this return, we are contributing to the redress of a historical injustice that is still felt today.” It’s never too late to do the right thing.
[Image description: A small, circular bronze statue with human figures standing around a textured circle.] Credit & copyright: Altar to the Hand (Ikegobo), Edo peoples, late 18th century. The Metropolitan Museum of Art, The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979. Public Domain.They’ve been all around the world, but now they’re heading home. The Netherlands recently announced that they’ll be sending more than 100 bronze sculptures, known as Benin bronzes, back to their original home in Nigeria. The statues were looted from Nigeria’s Benin City in the late 19th century, but in recent years a number of countries and individual museums have pledged to return them to their country of origin.
In 1897, Benin wasn’t yet part of Nigeria. It was a kingdom unto itself known as the Edo Kingdom of Benin, and though it enjoyed a good trade relationship with some other nations, it wasn’t willing to establish such relations with the British. At the time, the British were attempting to exert more control over African trade routes, which the Kingdom of Benin didn’t appreciate. When Britain sent Niger Coast Protectorate official James Robert Phillips to Benin City in January 1897 to pressure the Kingdom into a trade deal, he and his men were attacked and killed. In retaliation, the British launched a full-scale siege on the city the following month, burning the royal palace, exiling the Kingdom’s leader, or Oba, and seizing control of the area for themselves. In the process, countless artistic and historical treasures were stolen and sold off to European museums and private collectors. The British eventually colonized the former Kingdom of Benin and incorporated it into Nigeria.
Among the artifacts stolen from Benin were a group of sculptures collectively known as the Benin bronzes. Most of these bronze sculptures are small enough to be carried by one person, which made them easier to steal. Some are ceremonial objects from religious ceremonies, but most depict people and animals. Busts of former Obas, statues of men holding weapons, and sculptures of big cats are plentiful among Benin bronzes. According to the AFP news agency, Eppo Bruins, Dutch Minister of Culture, Education, and Science recently explained, “With this return, we are contributing to the redress of a historical injustice that is still felt today.” It’s never too late to do the right thing.
[Image description: A small, circular bronze statue with human figures standing around a textured circle.] Credit & copyright: Altar to the Hand (Ikegobo), Edo peoples, late 18th century. The Metropolitan Museum of Art, The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979. Public Domain. -
7 minFREEWork Business CurioFree4 CQ
The Republican-controlled House has defied predictions of deadlock and advanced the party’s signature legislative package. The House narrowly approved a reso...
The Republican-controlled House has defied predictions of deadlock and advanced the party’s signature legislative package. The House narrowly approved a reso...