Fundamental Jazz Guitar Techniques

74 CQ
10 Lessons
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    8 CQ
    1. Introducing Jazz Guitar
    A lesson with Sam Dunn Jazz Guitar
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    Are you a guitar player ready to build a stronger repertoire? In this lesson, discover some of the differences between playing jazz guitar and other styles.

    Are you a guitar player ready to build a stronger repertoire? In this lesson, discover some of the differences between playing jazz guitar and other styles.

  • Playing
    8 CQ
    2. Playing the Dorian Mode in Jazz
    A lesson with Sam Dunn Jazz Guitar
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    Looking to practice a commonly used mode for jazz improvisation? In this jazz guitar lesson, discover the Dorian Mode, which will bring depth to your playing!

    Looking to practice a commonly used mode for jazz improvisation? In this jazz guitar lesson, discover the Dorian Mode, which will bring depth to your playing!

  • Playing
    8 CQ
    3. Playing Jazz Guitar Rhythm & Swing
    A lesson with Sam Dunn Jazz Guitar
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    In this jazz guitar lesson, learn how to use a metronome to develop a strong internal sense of swing, and learn three classic jazz blues tunes along the way!

    In this jazz guitar lesson, learn how to use a metronome to develop a strong internal sense of swing, and learn three classic jazz blues tunes along the way!

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    7 CQ
    4. Drop 2 Minor 7 Chord Voicings
    A lesson with Sam Dunn Jazz Guitar
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    Continue developing jazz guitar skills! By the end of this lesson, feel comfortable playing 4 different m7 movable chord shapes across the neck, in any key.

    Continue developing jazz guitar skills! By the end of this lesson, feel comfortable playing 4 different m7 movable chord shapes across the neck, in any key.

  • Playing
    8 CQ
    5. Drop 2 Dominant 7 Voicings
    A lesson with Sam Dunn Jazz Guitar
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    In this jazz guitar lesson, continue with Drop 2 chord shapes, learn how to adapt m7 voicings into dominant 7th shapes, and create ii-V chord progressions.

    In this jazz guitar lesson, continue with Drop 2 chord shapes, learn how to adapt m7 voicings into dominant 7th shapes, and create ii-V chord progressions.

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