Curio Cabinet

It's Flashback Friday! Enjoy this favorite from the Curio Cabinet archives.
 

Check out Sol in the sky with diamonds! This photo, taken by Czech astrophotographer Petr Horálek, recently won the grand prize in 2019 Royal Society Publishing Photography Competition. Beautiful, if not menacing, Three diamonds in the sky shows the sun and moon engaged in a hybrid eclipse. Exceedingly rare, these appear like total eclipses in some parts of the world, but annular, or incomplete in others. Luckily for Horálek, the photographer happened to be in Pakwero, Uganda, which was treated to a mixture of the two types—and also an extraordinary three-part "diamond ring" (the bright bursts of light). The term refers to when solar flares from the sun's photosphere peek out from behind the moon's shadow; the hairline band of the sun's corona, paired with a solar flare, appear like rings of fire in the sky. Three diamonds was up against some beautiful and downright captivating scenery, but the gem nevertheless ran rings around the competition!
 

Below: more photos from the competition, including Baby on board by Anton Sorokin, Courting Royals: two Royal Terns in courtship display by Kristian Bell, and Waxwing and Rowan berries in the snow by Alwin Hardenbol.
 

Image credit & copyright: Petr Horálek / Anton Sorokin / East Carolina University / Kristian Bell / Deakin University / Alwin Hardenbol / University of Eastern Finland / Royal Society Publishing Photography Competition 2018
 

It's Flashback Friday! Enjoy this favorite from the Curio Cabinet archives.
 

Title: The Sea of Ice
Artist: Caspar David Friedrich (1774-1840)
Created: 1823
Medium: oil on canvas
Dimensions: 38 x 50 in (96.7 x 126.9 cm)
Current location: Kunsthalle Hamburg, Hamburg, Germany
 

Brrrr! It's hard to imagine a colder and more desolate landscape than that depicted by Caspar David Friedrich in his painting, The Sea of Ice (also called The Polar Sea or The Wreck of the Hope). In this majestic work, the shattered carcass of a ship is being swallowed by the frigid sea: the heaving ice slabs and shipboards are gradually being transformed into an ice floe. In his work, Friedrich tried to infuse natural landscapes with spiritual meaning, and to contrast the grandeur and power of nature with human frailty. The sculptor Pierre-Jean David d'Angers argued that Friedrich had created a new artistic genre: "the tragedy of landscape." Friedrich himself never traveled to the Arctic, but he was clearly influenced by William Edward Parry's polar expedition in 1819-20. Some critics say his artistic vision was also shaped by Napoleon's hubristic rise and ultimate defeat when his troops were beaten back by the Russian winter. But in the Sea of Ice, where the ice is vanquishing all signs of life, one can't help but detect echoes of Friedrich's boyhood tragedy: the loss of his brother when he fell into a frozen lake and drowned.
 

Image credit & copyright: WikiArt
 

Whatever lies at the end of this vibrant, red path of fallen pine needles is surely something magical. Path in the Woods by American photographer Eliot Porter, born December 6, 1901, is just one example of his dedication to capturing nature in living color. During the 1940s, when most serious photographers still worked in black and white, Porter became known for his color photographs of landscapes, trees, and birds. In Path in the Woods, color plays the vital role of making a bare pine forest seem warm and inviting, beckoning the viewer to explore vivid reds, greens, and browns. Porter certainly did his fair share of wilderness exploration: he not only captured images of America's disappearing wilderness, but also the Galápagos Islands, Antarctica, and East Africa. His widely-published work was a powerful tool in promoting conservation, particularly of wild birds. He received a Guggenheim Fellowship in 1941 to photograph several threatened avian species, which led to his famous Birds in Color series. The latter was exhibited at the Museum of Modern Art two years later. It goes to show that the power of color photography was no pigment of Porter's imagination!
 

Below: more of Porter's nature photos.
 

Image credit & copyright: Eliot Porter
 

Why be camera shy when you're this adorable? The silver-backed chevrotain pictured above was recently captured on camera by conservationists in Vietnam—and is the first of its kind to be photographed in 30 years. Commonly called the Vietnamese mouse-deer, this hooved mammal is neither a mouse nor a deer. Chevrotains are the world's smallest hoofed mammals, or ungulates, with silver-backed chevrotains being about the size of a rabbit. It had been so long since scientists had spotted a silver-backed chevrotain that they feared the species was extinct. To find out for sure, they placed hidden cameras in the Vietnamese wilderness, and what they captured was astonishing. At least two silver-backed chevrotains, identifiable by their distinctive grey rumps, were caught on film. Footage showed the animals rummaging for food, with their long muzzles, on the forest floor. Conservationists were excited by the footage, which quickly went viral online, and stated that immediate protections should be put in place to ensure the species' survival. Shy or not, there's no denying that the rabbit-sized, deer-like chevrotains have become overnight stars.
 

Below: a video and more photos of the silver-backed chevrotains spotted in Vietnam.
 

Image credit & copyright: Southern Institute of Ecology / Global Wildlife Conservation / Leibniz Institute for Zoo and Wildlife Research / NCNP
 

Title: Floor Dance

Artist: Tschabalala Self (1990-)
Created: 2016
Medium: linen, fabric, oil pastel, acrylic and Flashe on canvas
Dimensions: 96 x 90 in (243.8 x 228.6 cm)
 

This piece of art gives new meaning to the phrase "dance as if no one is watching"! Floor Dance, by U.S. artist Tschabalala Self, was auctioned on November 14, at Sotheby's, for an impressive $225,000. In the mixed-media piece, a black woman with green hair and six arms performs the splits in a leopard-print outfit—all while winking and sticking her tongue out. Self specializes in depicting irrepressible black female figures in ways which she says "create alternative narratives around the black body." Indeed, Self's figures seem unconcerned with what the viewer thinks about them. On her website, Self says, "My subjects are fully aware of their conspicuousness and are unmoved by the viewer. Their role is not to show, explain, or perform but rather 'to be.' In being, their presence is acknowledged and their significance felt." Her colorful mixed media pieces have struck a nerve in the art world, where they have been exhibited in museums from London to North Carolina. Self's work serves as an important reminder that art has the power to make people see the world—and the people in it—in entirely new ways.
 

Two more of Self's mixed-media pieces, Mista & Mrs. and Out of Body, and a video of Self talking about her Bodega Run installation.
 

Image credit & copyright: Tschabalala Self